Antiques - ENGRAVING SEPULCHRE OF ULADISLAO. (T)
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ENGRAVING SEPULCHRE OF ULADISLAO.

$ 59.00

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 Author:
Bigant, Sc.
 Period:
Second half of XIX Century
 Material:
Paper
 Measures:
21,8 x 12,7 cm
 Weight:
 Conservation:
Very good

Ref.: G3.P.GRA_4369_SepulcroUladislaoFrancia

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Description:
- Engraving Sepulchre of Uladislao el blanco.
- All the titles and signatures are outside the plate.
- In the upper margin is the legend 'Sepulcro de Uladislao el blanco' 'Tombeau de Wladislas le blanc, à L Begiune de Dijon'.
- The lower margin does not have the legend.
- The number '12' is printed in the upper right-hand corner, which suggests that the engraving is number 12 in a series.
- Augustin François Lemaître: French engraver, lithographer, designer, publisher and photographer. He depicted many landscapes, monuments, architecture and people, especially during his many travels in Europe.
- Intaglio etching on steel plate, although another technique could also have been used.
- Produced in a single-colour black tone, very well inked.
- It is probably an engraving belonging to a book.

Conservation and Damage:
- General condition: Good.
- It is very well inked, and has a good stamping.
- The engraving is on thin paper of regular quality, glued at the corners to another paper.
- The engraving has suffered from humidity, so the paper has small humidity stains and rust spots, all of which are more pronounced as we get closer to the edges.
- The engraving is dirty, and the edges are much dirtier, with very small tears, and the tips are slightly deteriorated with slight bending.
- A light washing and bleaching would be a very good result.

Comments:
- Measurements are approximate.
- Ideal engraving as a decorative element.
- The tones of the colours in the photos are not the same as the tones of the real colours.
- The Engraving for sale is the one that corresponds to the photos. The description is not a detailed exposition of it.
- The data provided here are personal opinions not contrasted.


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4369 - ENGRAVING SEPULCHRE OF ULADISLAO.
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